Sunday, April 19, 2020

Spring and Autumn in a Pandemic

Happily, our world is a sphere while it is Spring in one half it is autumn in the opposite(AA)

From: Brain Pickings by Maria Popova

Mary Shelley, writing 200 years ago about a pandemic-ravaged world, on what makes life worth living and nature's beauty as a lifeline to sanity

Spring in a Pandemic: Mary Shelley on What Makes Life Worth Living and Nature’s Beauty as a Lifeline to Regaining Sanity


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Half a century before Walt Whitman considered what makes life worth living when a paralytic stroke boughed him to the ground of being, Mary Shelley (August 30, 1797–February 1, 1851) placed that question at the beating heart of The Last Man (free ebook | public library) — the 1826 novel she wrote in the bleakest period of her life: after the deaths of three of her children, two by widespread infectious diseases that science has since contained; after the love of her life, Percy Bysshe Shelley, drowned in a boating accident.
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In consonance with Whitman — “After you have exhausted what there is in business, politics, conviviality, love, and so on — have found that none of these finally satisfy, or permanently wear — what remains?” the American poet would ask across space and time, then answer: “Nature remains.” — Shelley’s protagonist finds the meaning of life not in the whirlwind of the human-made world with its simulacra of living but in the simple creaturely presence with nature’s ongoing symphony of life:
2e292385-dc1c-4cfe-b95e-845f6f98c2ec.pngLet us… seek peace… near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave “life,” that we may live.
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First Signal by Maria Popova
At the height of the deadly pandemic, nature seems all the more quietly determined to affirm the resilience of life — spring arrives with its irrepressible bursts of beauty, untrammeled by human suffering and a supreme salve for it. It is by observing nature’s unbidden delirium in its littlest expression, by surrendering to its sweep, that Lionel regains his faith not only in survival but in the beauty, the worthiness of life.

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