From an artistic perspective, the past decade in movies is the decade of mumblecore. The movement of intimately scaled, often improvised, low-budget dramas and comedies that pull their actors from the lives and milieux of filmmakers who build stories around their personal experiences has become the energy-giving core of the American cinema. All decade long, aside from the reliably surprising masterworks by established filmmakers such as Martin Scorsese, Clint Eastwood, Spike Lee, Sofia Coppola, Wes Anderson, Jim Jarmusch, Frederick Wiseman, and Paul Thomas Anderson, there has been a profusion of daring films by younger filmmakers who are part of the mumblecore constellation, as well as a bunch of actors (and cinematographers and other artists) who emerged from those films.
The mumblecore generation has now entered, and in many ways transformed, the true mainstream of movies: Greta Gerwig, Terence Nance, Josephine Decker, Andrew Bujalski, Amy Seimetz, Barry Jenkins, Joe Swanberg, Lena Dunham, Adam Driver, Sophia Takal, Nathan Silver, Shane Carruth, David Lowery, Kate Lyn Sheil, Alex Ross Perry, Kentucker Audley, Lynn Shelton, Robert Greene, Ronald Bronstein, and the Safdie brothers, to name just a few. I could nearly have filled my decade list with their films—but, in the interest of spreading (and acknowledging) the love, I included only a few exemplary ones./.../
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